Monuments・Artifacts

Various Artifacts
(Stone monuments, documents, etc.)

Documents, stone monuments, and other artifacts at Saishoin Temple point directly to the history of the temple and convey the thoughts and wishes of the people who created them for future generations. The following is a small sample of some of such artifacts.

Stone Monuments

Bonji Stone

Bonji Stone

The stone is called bonji stone because it is carved with the Sanskrit character called bonji, a sacred character representing the ancient Indian language, which expresses God and Buddha in a single character. The character on the bonji stone is “Khan”, which represents Fudo Myoo. The stone is said to have been unearthed in 1694 when the stonewall of the yaguradai (the highest point of the castle ruins) in the southwest corner of the Hirosaki Castle’s main citadel was repaired, and it is said to have been used to protect the kimon (the unlucky direction) of the Hirosaki Castle from foreign enemies and disasters. The stone was relocated during the abolition moment in Meiji period from the “Kimon-chingo Saishoin-kamae” (the place where Saishoin Temple was built to protect Hirosaki Castle from foreign enemies and calamities) to where it remains today.

It is believed that the stone was brought to Saishoin Temple at the time of its excavation, as the priest of Saishoin Temple is said to have performed the ground breaking ceremony during the construction of Hirosaki Castle (Takaoka Castle at that time).

Since the Shingon sect of Buddhism always buries a protective artifact in the ground during the ground breaking ceremony, it is not surprising that the bonji stone was found in the ground. Since the Buddhist rituals are typically held in the main keep of the castle and the Fudo Myoo protects the southwestern direction, it is thought that the stone was moved and buried there later.

Memorial Monument of Master Carpenter Sakichi Horie

Memorial Monument of Master Carpenter Sakichi Horie
Memorial Monument of Master Carpenter Sakichi Horie
Memorial Monument of Sakichi Horie, master of architecture.
It is one of the largest monolithic monuments of this size in all of Japan!

This monument was erected in May 1908. Sakichi Horie excelled in design and construction techniques and was called the “God of Architecture.” The buildings in which Horie Sakichi was involved are modern structures, and they have been designated as National Important Cultural Properties of Japan in recognition of his outstanding skills.

Tombstone of Mrs. Alexander

Mrs. Alexander, who died as a result of the fire, was buried in Saishoin Temple Mrs. Alexander, who died as a result of the fire, was buried in Saishoin Temple.
Mrs. Alexander was buried and Saishoin Temple became a bridge between Buddhism and Christianity Mrs. Alexander was buried and Saishoin Temple became a bridge between Buddhism and Christianity.
Mrs. Alexander was buried and Saishoin Temple became a bridge between Buddhism and Christianity Mrs. Alexander was buried and Saishoin Temple became a bridge between Buddhism and Christianity.
Mrs. Alexander, who died as a result of the fire, was buried in Saishoin Temple Mrs. Alexander, who died as a result of the fire, was buried in Saishoin Temple.
Hirosaki University foreign students visit the grave of Mrs. Alexander Hirosaki University foreign students visit the grave of Mrs. Alexander.
Mrs. Alexander, who died as a result of the fire, was buried in Saishoin Temple
Mrs. Alexander was buried and Saishoin Temple became a bridge between Buddhism and Christianity
Mrs. Alexander was buried and Saishoin Temple became a bridge between Buddhism and Christianity
Mrs. Alexander, who died as a result of the fire, was buried in Saishoin Temple
Hirosaki University foreign students visit the grave of Mrs. Alexander

Behind the main hall of Saishoin Temple is a cemetery, and at its southern end are Christian gravestones. One of them is the pure white marble tombstone of Mary Christine Alexander. There is a sad history to this tombstone.

In the Meiji era (1868-1912), Touo Gijuku, a private school that was descended from the domain school of the former Tsugaru Clan, focused on English education by inviting missionaries to its school. Mary was the wife of the Canadian missionary Robalt Barsebal Alexander. The family lived in Hirosaki for the benefit of education in Hirosaki.

On New Year’s Day in 1899, a fire broke out in the mission dormitory for English teachers invited from abroad. As a result of the fire, Mrs. Mary died on January 29, leaving a will that she should be buried in Hirosaki, her second hometown.

The bereaved family looked for a place to bury her in Hirosaki, but many temples refused to accept her request because there were no communal cemeteries at that time and she belonged to a different religion. However, it is said that the priest of Saishoin Temple at that time allowed the burial, saying, “No matter what religion you are, the end is the same for everyone.”

Since then, Protestants, Catholics, and other Christians have been buried at Saishoin Temple. The priest’s decision at this time was a simple kind gesture as a Japanese. Combined with the acceptance of the Japanese people, the result was heartwarming, and to this day the tombstone continues to stand and Mrs. Mary rests in peace.

Reflection

Looking around the world today, there are regions where wars are being waged that shake us because of religion and other reasons, and innocent people and children are being caught up in them. I wonder what Mary and her family, who were allowed to put up their graves and rest in Saishoin Temple, would think if they knew about the current world situation….

Usagi (Rabbit)

The usually stern priest looks gentle when photographed with the rabbit statue.
The usually stern priest looks gentle when photographed with the rabbit statue.
The image of a rabbit sleeping peacefully in a crouched position expresses peace of mind.
The image of a rabbit sleeping peacefully in a crouched position expresses peace of mind.

Statues of various animals such as dogs, cranes, and cats are placed at the entrances of temples and shrines throughout Japan. Originating in India, lions, or representative of strong animals, were placed at the entrances to sanctuaries to give them a sense of protection.

At Saishoin Temple, the guardian of the entrance is the Nio statue at the temple gate. While the Nio statue protects with their powerfully built bodies and piercing eyes, a pair of “usagi (rabbits)” in front of the gate gently welcomes good people to the temple.

As Saishoin Temple enshrines Monju Bosatsu, the guardian deity of those born in the year of the rabbit, the temple is visited by many people born in the year of the rabbit. Visitors donate various items as a symbol of their faith. One of them is a statue of a rabbit. There are seven statues of rabbits in Saishoin Temple today. Visitors enjoy finding them and counting them during their visit to the temple.

Literature

Joujou

Joujou

This article describes a bulleted list of items to be followed which was given to the priests of Kajuji Temple in Kyoto in 1721 (Kyôho 6) by the priests of the temple who represents the ordained imperial family.

Chigyo Ando Kokuinjo

Chigyo Ando Kokuinjo

This letter certifies the amount of remuneration the temple received from the feudal lord. The kokuinjo (a letter stamped with black ink) was given by Nobuyasu Tsugaru, the feudal lord of the time, in 1756. From the standpoint of the receiver, this black sealed letter was more important than anything else when it came to the maintenance and operation of the temple. The letter indicates the Saishoin Temple received black sealed letters from the feudal lords from time to time.

Others

Hangi (Woodblocks)

Omikuji (Fortune Slip) Omikuji (Fortune Slip)
Omikuji (Fortune Slip) Omikuji (Fortune Slip)
Ofuda (Talisman) Ofuda (Talisman)
Nyoirin-kannon(Front Side) Nyoirin-kannon(Front Side)
HNyoirin-kannon(Back Side) Nyoirin-kannon(Back Side)
Omikuji (Fortune Slip)
Omikuji (Fortune Slip)
Ofuda (Talisman)
Nyoirin-kannon(Front Side)
Nyoirin-kannon(Back Side)

Omikuji (Fortune Slip)

Omikuji are made using woodblocks at Saishoin Temple. The numbers range from No. 1 to No. 100. It is customary to determine if the number you drew matches your current fortune. If not, it is customary to tie your fortune slip at the Omikuji Yuisho (fortune slip place) at the temple in order to have your fortune turn out in a better direction.

Ofuda (Talisman)

Saishoin Temple has a variety of Ofuda (talisman) for family safety, business prosperity, and so on. The paper talismans with benefits, which are given to visitors after receiving prayers at Saishoin Temple, are made using woodblocks. There are many woodblocks at Saishoin Temple, not shown in the photos.

Keman

Keman

Keman are Buddhist ornaments that decorate the interior of the hall. This keman is displayed in the main hall.

Ranma

Ranma

Ranma, or an opening above the fittings between adjoining rooms in a Japanese-style rooms created with the purpose of ventilation and lighting, are carved out of keyaki (zelkova wood) and decorate the interior of the main hall.

Esoteric Buddhist Ritual Implements

Gokosho Gokosho
Tokkosho Tokkosho
Gokosho Gokosho
Shakujo Shakujo
Conch Shellss Conch Shellss
Gokosho
Tokkosho
Gokosho
Khakkhara (pewter staff)
Conch Shellss

Esoteric Buddhist ritual implements are a generic term for the Buddhist tools used in Esoteric Buddhist ceremonies, including vajra (mystical weapon in Hinduism and Buddhism), khakkhara (pewter staff), and conch shells, which are unique to Esoteric Buddhism.

The vajra was once a weapon held by the gods of ancient India, but it has come to be used as a symbol of the Buddha’s heart to seek enlightenment and to destroy the vexations of the human mind.

There are three forms of vajra: the one with two prongs is called tokkosho, the one with three prongs is called sankosho, and the one with five prongs is called gokosho.

These esoteric Buddhist tools were brought back to Japan about 1,200 years ago by Kobo-Daishi Kukai, founder of the Shingon sect of Buddhism, as a result of his entry into the Tang Dynasty in ancient China.

Esoteric Buddhist tools are tools used during prayers, and monks learn how to use them directly from ajari (a qualified monk or teacher) during the course of their training.